Ballooning government? Millionaire welfare queens? Tort lawyers run amok? A $330,000 outhouse, paid for with your tax dollars? John Stossel says, "Give me a break."
When he hit the airwaves thirty years ago, Stossel chased snake-oil peddlers, rip-off artists, and corporate thieves, winning the applause of his peers.
But along the way, he noticed that there was something far more troublesome going on: While the networks screamed about the dangers of coffee pots, worse risks were ignored.
In Give Me a Break, Stossel explains how ambitious bureaucrats, intellectually lazy reporters, and greedy lawyers make your life worse even as they claim to protect your interests. Taking on such sacred cows as the FDA, the War on Drugs, and scare-mongering environmental activists -- and backing up his trademark irreverence with careful reasoning and research -- he shows how the problems that government tries and fails to fix can be solved better by the extraordinary power of the free market.
He traces his journey from cub reporter to 20/20 co-anchor, revealing his battles to get his ideas to the public, his struggle to overcome stuttering, and his eventual realization that, for years, much of his reporting missed the point.
Stossel concludes the book with a modest proposal for change. It's a simple plan in the spirit of the Founding Fathers to ensure that America remains a place "where free minds -- and free markets -- make good things happen."
This delicious new volume of Ruth Reichl's acclaimed memoirs recounts her "adventures in deception," as she goes undercover in the world's finest restaurants. Reichl knows that "to be a good restaurant critic, you have to be anonymous," but when she signs up to be the most important restaurant critic in the country, at The New York Times, her picture is posted in every four-star, low-star, and no-star kitchen in town. Managers offer cash bonuses for advance notice of her visits. They roll out the red carpet whether she likes it or not. What's a critic in search of the truth to do?
Reichl dons a frumpy blond wig and an off-season beige Armani suit. Then on the advice of a friend, an acting coach with a Pygmalion complex, she begins assembling her new character's backstory. She takes to the assignment with astonishing ardor-and thus Molly Hollis, the retired high school teacher from Birmingham, Michigan, nouveau riche from her husband's real estate speculation, is born. And duly ignored, mishandled, and condescended to by the high-power staff at Le Cirque. The result: Reichl's famous double review, first as she ate there as Molly and then as she was coddled and pampered on her visit there as Ruth, The New York Times food critic.
When restaurateurs learn to watch for Molly, Reichl buys another wig and becomes someone else, and then someone else again, from a chic interior decorator to an eccentric redhead on whom her husband-both disconcertingly and reassuringly-develops a terrible crush. As she puts on her disguises, she finds herself changed not just superficially, but in character. She becomes Molly the schoolmarm, Chloe the seductress, and Brenda the downtown earth mother-and imagine the complexities when she dines out as Miriam, her own mother. As Reichl metes out her critical stars, she gives a remarkable account of how one's outer appearance can influence one's inner character, expectations, and appetites.
Reichl writes, "Every restaurant is a theater...even the modest restaurants offer the opportunity to become someone else, at least for a little while." Dancing with the Stars examines character, artifice, and excellence on the sumptuously appointed stages of the restaurant world and offers an unprecedented backstage tour of the theater where Ruth Reichl played the role of a lifetime, as the critic of record at The New York Times.
Bracing biography...thoroughly absorbing. (Frances Wilson, TLS )
Scanlon's biography, both scholarly and readable, is an excellent treatise on the subject. (Jeananne Crowley, Irish Times )
Scanlon...is to be applauded for her revisionist approach. (Liz Hoggard, Evening Standard )
The book moves at a cracking pace and is mercifully free of academic jargon. (Liz Hoggard, Evening Standard )
A deeply satisfying and illuminating read...Scanlon is also a clear-headed and fair biographer. (Sarah Vine, The Times )
An important book for any modern woman who occasionally wonders how we got where we are today. (Sarah Vine, The Times )
One of Washington's finest writers on people, politics, and life-collected for the first time Marjorie Williams knew Washington from top to bottom. Beloved for her sharp analysis, elegant prose and exceptional ability to intuit character, Williams wrote political profiles for the Washington Post and Vanity Fair that came to be considered the final word on the capital's most powerful figures. Her accounts of playing ping-pong with Richard Darman, of Barbara Bush's stepmother quaking with fear at the mere thought of angering the First Lady, and of Bill Clinton angrily telling Al Gore why he failed to win the presidency-to name just three treasures collected here-open a window on a seldom-glimpsed human reality behind Washington's determinedly blank faAade. Williams also penned a weekly column for the Post's op-ed page and epistolary book reviews for the online magazine Slate. Her essays for these and other publications tackled subjects ranging from politics to parenthood. During the last years of her life, she wrote about her own mortality as she battled liver cancer, using this harrowing experience to illuminate larger points about the nature of power and the randomness of life. Marjorie Williams was a woman in a man's town, an outsider reporting on the political elite. She was, like the narrator in Randall Jarrell's classic poem, "The Woman at the Washington Zoo," an observer of a strange and exotic culture. This splendid collection-at once insightful, funny and sad-digs into the psyche of the nation's capital, revealing not only the hidden selves of the people that run it, but the messy lives that the rest of us lead.
(3)Enormously visceral, emotionally gripping, and imbued with the belief that justice is possible even after the most horrific of crimes, Alice Sebold's compelling memoir of her rape at the age of eighteen is a story that takes hold of you and won't let go. Sebold fulfills a promise that she made to herself in the very tunnel where she was raped: someday she would write a book about her experience. With Lucky she delivers on that promise with mordant wit and an eye for life's absurdities, as she describes what she was like both as a young girl before the rape and how that rape changed but did not sink the woman she later became. It is Alice's indomitable spirit that we come to know in these pages. The same young woman who sets her sights on becoming an Ethel Merman-style diva one day (despite her braces, bad complexion, and extra weight) encounters what is still thought of today as the crime from which no woman can ever really recover. In an account that is at once heartrending and hilarious, we see Alice's spirit prevail as she struggles to have a normal college experience in the aftermath of this harrowing, life-changing event. No less gripping is the almost unbelievable role that coincidence plays in the unfolding of Sebold's narrative. Her case, placed in the inactive file, is miraculously opened again six months later when she sees her rapist on the street. This begins the long road to what dominates these pages: the struggle for triumph and understanding -- in the courtroom and outside in the world. Lucky is, quite simply, a real-life thriller. In its literary style and narrative tension we never lose sight of why this life story is worth reading. At the end we are left standing in the wake of devastating violence, and, like the writer, we have come to know what it means to survive.
The lesbian sex book that rocked girls from coast to coast. Here's what lesbians really do, not what the sex cops think we ought to do. Cruising, packing, fisting, G- spots, porn stars, dildos, vibrators, anal sex, group sex, sex with straight girls, dental dams, lube 'n latex, sex during pregnancy...and more! Features new stories by Susie!!!!
(4)
A Publishers Weekly Best Book of 1998.
"To all concerned, this book is meant to send a ghostly signal across the dark universe of ill-health that says 'you are not alone.'" - Robert McCrumOn July 29, 1995, Robert McCrum, 42, married only ten weeks, suffered a paralyzing stroke. Overnight, his life shifted irrevocably. But this admired novelist and former editorial director of the London publishing house Faber and Faber decided to chronicle what became a remarkable journey "into that mysterious, unexplored territory, the neighbourly world of the unwell," as well as a deeply moving love story.
A brilliantly witty and intelligent memoir of the adventures, discoveries, rescues, and narrow escapes of Martha Gellhorn, one of America's most important war correspondents and the third wife of Ernest Hemingway.
"Gellhorn is incapable of writing a dull sentence."
-The Times (London)
"Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together.
Hemingway is, of course, the unnamed "other" in the title of this tart memoir, first published in 1979, in which Gellhorn describes her globe-spanning adventures, both accompanied and alone. With razor-sharp humor and exceptional insight into place and character, she tells of a tense week spent among dissidents in Moscow; long days whiled away in a disused water tank with hippies clustered at Eilat on the Red Sea; and her journeys by sampan and horse to the interior of China during the Sino-Japanese War.
Now including a foreward by Bill Buford and photographs of Gellhorn with Hemingway, Dorothy Parker, Madame Chiang Kai-shek, Gary Cooper, and others, this new edition rediscovers the voice of an extraordinary woman and brings back into print an irresistibly entertaining classic.
